By the beginning of January, I needed a good comfort read. And if anyone can provide comfort reads, it is Eva Ibbotson. Happily diving into the Ibbotson novel I received as a holiday present those first days of the year, I cannot say I was disappointed.
In The Secret of Platform 13 said platform at King’s Cross Station provides a portal between our world and an island for 9 days every 9 years. When the son of the king and the queen of the island disappears in the world and is unable to return to the island, the queen is devastated. A rescue party is organised nine years later to bring back the prince, among which are a wizard, an ogre, a fey, and the young hag Odge. Can they bring back the prince before the portal closes for another 9 years?
When the rescue party arrives in London, they find that the boy they are told is the prince, Raymond Trottle, is not what they expected. He is a spoilt boy who is given everything he desires by the rich lady who calls herself his mother. Meanwhile, Ben, who helps in the Trottle’s household, does all in his power to help the rescuers, and even if he wishes he could join the rescuers in going to the island he stand by his dying grandmother who he does not want to leave alone.
Admittedly, the story in The Secret of Platform 13 has its predictable qualities. There is a clear set up where the reader finds himself rooting for Ben, while Raymond is portrayed as horrible from the beginning. I find myself agreeing with Ana’s observation that she would have liked it better if the ending had been a little different. Moreover,after reading more of Eva Ibbotson’s book, particularly One Dog and His Boy, I wonder if selfish rich people are a bit of a trope in Ibbotson’s work? She has a definite view of who is “good” and “bad”, and while some privileged people (for example the king and the queen in this story) are portrayed as lovely people, it is clear that Ibbotson did not have much sympathy for rich people who become spoilt and selfish. On the one hand, who can blame her? On the other, it would be nice to see a little more shades of grey built into the narrative at times. Ana’s suggestions for an ending where inheritance is less prominent than upbringing would work wonderfully in that case, I think.
These criticisms aside, I did very much enjoy The Secret of Platform 13. It is always a joy to read Ibbotson’s work. At least part of the reason being that she integrates fantasy with our contemporary world seamlessly. There is no needless explaining; instead the world building simply is, which is something I really appreciate. Another thing I love about Ibbotson is her portrayal of children: with agency, with good intentions, and yet their slight faults.
All in all, The Secret of Platform 13 was a lovely start of the year and of this year’s Long-Awaited Reads Month.
Other Opinions: Things Mean a Lot, Yours?