Monthly Archives: November 2010

Bespelling Jane Austen by Balogh, Gleason, Krinard and Mullany

Bespelling Jane Austen - Mary BaloghBespelling Jane Austen – Mary Balogh, Colleen Gleason, Susan Krinard, Janet Mullany
HQN Books, Harlequin, 2010
Review copy from Netgalley
Buy: Amazon | Bookdepository * 

Months ago I promised to leave paranormal Jane Austen books alone, after a few disappointing experiences. Because I really enjoyed Jane Bites Back, I thought I might leave the genre behind on a high note. One thing you should know about me: When tempted, I find it hard to keep book-related promises. And so, when I came across this book in the netgalley catalogue, I could not resist. And the (somewhat surprising) outcome of breaking my promise? I do not regret it at all! Bespelling Jane Austen was very entertaining. I don’t think it is better than Jane Bites Back, but it is a worthwhile read nonetheless.

Bespelling Jane Austen is a collection of four stories, each a retelling of a novel by Jane Austen: Persuasion, Northanger Abbey, Pride and Prejudice and Emma. The authors each have a different take on this “paranormal twist”, even if vampires appear in three of the four stories. What I enjoyed about these stories is that they feel very complete. I felt as if I had finished a small novella instead of “just a story” after reading each of these. And even if these stories are retellings of the familiar works of Austen, I did not feel cheated as I have felt when I read “Pride and Prejudice and Zombies” or worse, “Sense and Sensibility and Sea Monsters”.

The first story, Almost Persuaded by Mary Balogh, is the story of Anne Elliot and Captain Wentworth recast as the story of Robert and Jane, who have to overcome the obstacles of love in many lifetimes, as this story takes on reincarnation. I have to admit that this story was not my favourite of the collection. Some of it felt too “easy” and all the details of former lives that were suddenly remembered at convenient instances made me a little sceptical, or, a little bored. But I have to be honest that that is a complaint I feel more directly now that I am writing my thoughts down on the story, while I did not notice it as much when I read it. What I liked best about this story was that it sparked my interest in how Balogh imagined reincarnation to work. but that is too much to go into here.

Northanger Castle by Colleen Gleason is, as I’m sure you guessed, the retelling of Northanger Abbey. In this story the heroine, Caroline, is obsessed by gothic novels, much as Catherine Morland, except in this story, vampires do really exist. This was the story I liked least of the collection. It felt too haphazard. I think it might be because what I love about Northanger Abbey, the social commentary and wit of Austen, is lost in this adaptation.

In Blood and Prejudice Susan Krinard takes on Pride and Prejudice. The story of Elizabeth Bennet and Mr Darcy is now set in contemporary New York. The company of Elizabeth’s father is about to be bought by Mr. Bingley on the advise of Mr. Darcy. Elizabeth feels strangely attracted to Mr. Darcy, but senses that he might be dangerous.. I actually really enjoyed this story. It keeps quite close to the plot of Pride and Prejudice, but I never felt bored with it. Actually, it was quite exiting to “reread” the story in this manner. And I liked how many of the important figured in Pride and Prejudice were not as easily cast aside as they often are in modern takes on Pride and Prejudice. Of course, Mary is only mentioned once, and Charlotte isn’t mentioned at all, bur Mr. Collins and Lady Catherine de Bourgh were prominent and very well cast in this setting.

Little to Hex Her by Janet Mullany (a retelling of Emma) might be my favourite of this collection. In this story, set in contemporary Washington, witch Emma leads a dating agency in a world filled with paranormal creatures. I admit I was a little shocked that I liked this one best, because it is the story that has the most explicit mentions of sex in it. But, I thought it fitted the story, somehow. The story is also a little silly. Nevertheless, it is a very enjoyable read, not too long, like some of the other stories in this collection seemed to be, and while reading this I giggled a lot.

Recommended for fans of Jane Austen who are willing to try a paranormal setting. It might even work really well for people who do not like Austen particularly much, but do enjoy paranormal romance.

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“A Perfect Misanthropist’s Heaven”: Taking on Wuthering Heights

A week ago, Charlie from The Worm Hole asked on twitter whether Wuthering Heights is comparable to Jane Eyre. I had to say something. And in between warning her for Wuthering Heights, warning her for.. I don’t know what exactly, I started to warm to the thought of rereading it myself.

You see, a few years ago, I read Wuthering Heights. As most teens these days, I went in with the complete wrong expectations. I have been trying to figure out where the idea that this would be “the greatest love story ever written” came from. I don’t know. I have never seen the movie & I had not read Twilight yet (heh, I seem to mention Twilight an awful lot when I talk about the Brontës).

Thing is, my sister showed me a picture of this cover when she was in the US this summer. I think that might be part of it. Or hey, the fact that Meyer quotes from Wuthering Heights extensively in one of the books. My mother does like Kate Bush, and I had heard her “Wuthering Heights” quite a few times when younger, but I am not sure if that is enough to explain this whole romantic image of the book?

Anyway, I warned Charlie not to go in with the expectation to find a love story. My ramble went something like this:

I didn’t love it when I first read it. I struggled with it. Fought with it at times. I’m considering rereading it myself, but I’m hesitant.
Important: set the whole “greatest love story” thing
aside, if that is what you expect, you will be disappointed at first. And oh, expect anti heroes. Like, anti-anti-heroes.
And gloom and gloom and gloom.
Maybe it really is romantic to some people. But um, not in a romantic swooning sense, more “romantic” as in violent and mean people.
Actually, if you decide to read Wuthering Heights, I think I’ll read along.

I guess somewhere along my telling Charlie that this is a hard book to read, it made me want to reread it. I might have started to romanticise the book again, in a different manner this time. Why is it so hard to take this book just as it is? To not expect anything beforehand?

I do wonder at myself. Am I a little crazy? Why does the thought of a book that takes time, and effort, and energy, make me eager to try again? But you see, I want to like it better. And now that I know more about it, I am fairly confident I will like it better than last time. I am not one of those that hated Wuthering Heights on their first read. That makes me at least a little hopeful?

And yes, I am only at page 20 at the moment. Of my ebook version. I haven’t been reading ahead because I know this is where the scary part comes up, when Mr Lockwood sees Catherine’s ghost. I am a baby, basically. I know I won’t be able to sleep if I read that part just before bedtime.

I also forgot how annoying I thought Mr. Lockwood first time. And no, that hasn’t changed.

I am, however, looking forward to owning this pretty edition of the book, once I get home:

Wuthering Heights - Emily Brontë

Soulless by Gail Carriger

Soulless – Gail Carriger
Orbit, 2010
Buy: Amazon | Bookdepository * 

I figured after days and days of reading about Jane Eyre on my blog, you could do with something different. And as I was aiming for that, I figured I had better not review one of the classics on my backlog, but instead turn to something that is really quite different.

Granted, Soulless is set in the Victorian era, so maybe it does fit in with my current classics binge a little? The setting is actually what made me want to pick up this book. The story of a spinster who is without soul, and is thus quite dangerous to vampires – and her adventures when paranormal creatures suddenly start to show a lot of interest in her – but not contemporary, not YA. This is paranormal romance, with a twist. Because it is also historical fiction. And, despite it being set in the nineteenth century, it does not take on a classic. It is more original, in that sense.

Everyone seems to love this book. And I can see why. It is fun. The language is witty, quick and because of that reading this book is extremely satisfying. The heroine, Alexia, is very likeable. She has this something, a certain spark, that makes her different from other girls. Having read Jodie’s fabulous thoughts on “Excepto Girls“, I think she rather fits the description. Despite there being problems with that, and I agree with Jodie’s post completely, frankly, it left me in awe (yes, I am taking this opportunity to tell you that you absolutely need to read this post!), it does make Alexia interesting. Without her, this book would have been less of a pleasure to read (that is exactly the problem with those Excepto girl characters, isn’t it?)

And yet, this wasn’t more than a fun read to me. Not something I will remember for years to come. The historical details are somewhat skewed, as Aarti points out better than I can. And the more heated scenes in the book? Sorry, just not that convinced by them.

I do want to read the rest of the series. And I liked the Steampunk elements in this novel. I just did not like this book as much as some other bloggers did.

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The Brontës, a Reading List

I recently fell in love (or fell in love all over again) with Jane Eyre by Charlotte Brontë. I also love making reading lists. So what is a better way of keeping myself occupied than combining the two? I decided to add the other Brontë sisters to my list as well, but I do admit that I have mainly focused on Charlotte Brontë.

Original Work:
Shirley – Charlotte Brontë
Vilette – Charlotte Brontë
The Professor – Charlotte Brontë
Agnes Grey – Anne Brontë
The Tenant of Wildfell Hall – Anne Brontë
Wuthering Heights – Emily Brontë: reread?
Tales of Glass Town, Angria, and Gondal: Selected Early Writings – The Brontës

Related Fiction (even if only a title reference):
Wide Sargasso Sea – Jean Rhys
Rebecca – Daphne Du Maurier
Thornycroft Hall – Emma Jane Worboise
Miss Miles: A Tale of Yorkshire Life 60 Years Ago – Mary Taylor
Nine Coaches Waiting – Mary Stewart
The Eyre Affair – Jasper Fforde
The Brontës Went to Woolworths – Rachel Ferguson
Teas with Mr. Rochester – Frences Towers

Contemporary/YA:
Jane Airhead – Kay Woodward
Becoming Jane Eyre – Sheila Kohler
Romancing Miss Brontë – Juliet Gael
Wuthering Bites – Sarah Gray
Jane – April Lindner

Non-Fiction:
The Life of Charlotte Brontë – Elizabeth Gaskell
Selected Letters – Charlotte Brontë
Brontë in Love – Sarah Freeman
The Taste of Sorrow – Jude Morgan (fictional biography)
The Three Brontës/The Three Sisters – May Sinclair

Note 1: I want to acknowledge the very useful and informative Brontë Blog for providing links to lots of works on the Brontës.
Note 2: This list is by no means complete. As you can see on the Brontë Blog, there is an endless amount of texts on the Brontës, this is just a very small selection of books that I think I would like to read.
Note 3: Please feel free to give me any more suggestions as to what you think I should read!

Religion in Jane Eyre

Another misunderstanding. I think this one came with my idea that the Brontës were quite patriarchal in their religious attitudes. Or maybe it is because her father was a clergyman and in my mind that turned into “strictly religious”. Prejudices all around, on my part.

"I said my evening prayers" - F.H. Townsend, http://janeeyreillustrated.com/

But how could I ignore the religious themes in this book? Or, how could I have missed them before? In my first reading of Jane Eyre, I must have been too occupied with the love story and the gothic qualities of the book. Knowing the story, at least a little, reading it for the second and third time, I think I had more patience to look at the other aspects of this novel. And religion is a big aspect, or at least, it seemsd to be so to me. Maybe it is because I’m a religious studies student? But really, it is everywhere in Jane Eyre.

Intermixed with humor, when Mr. Rochester exclaims:

In the name of all the elves in Christendom, is that Jane Eyre?

Humor, but not mocking humor. No glaring disrespect for anyone who as a Christian still has a sense of these ideas. Later on, when Jane hears Rochester’s plea for her, through nature, or somehow, I could not help but wonder if part of this isn’t Brontë’s worldview as well. Or at least, she understands it enough to have Jane Eyre feel that way. And I was left wondering how this idea of religion back in the nineteenth-century works. Is it the influence of the Romantics? It is so easy to forget that there were other takes on religion, apart from the stricter line that came with the (re)awakening of pietism, the line I so often have to study.

There is prejudice as well. Catholicism is something that Jane Eyre, or is it Charlotte Brontë? (we’ve discussed this before), clearly does not respect. When her cousin explains that she will go into a convent, Jane says:

“You are not without sense, cousin Eliza; but what you have, I suppose, in another year will be walled up alive in a French convent.”

But when Protestantism is taken up, or rather, when Catholicism isn’t mentioned and there is talk of religion, I admit I’m fascinated. Since I study missionaries, the observations on St. John were very interesting to me. Somehow, I always assumed that people would be in awe of missionaries back then. These were people who were so convinced of their faith, of their calling, that they abandoned their home and went “into wild and unknown land” (that is not a quote from Jane Eyre, btw). And St. John is seen as a good man, a very Christian man, a man with a calling. And yet, through his righteousness he forgets to love the people that surround him, really love them, really feel. He only feels and loves his calling, so it seems. He is painted as an incomplete person. You could almost pity him. Almost, if he hadn’t suffocated Jane as he did.

And there’s Rochester’s redemption. Which is truly redemption, in a sense. He suffers, he loses his sight and his arm, and then when Jane returns to him, slowly, ever so slowly, he recovers his sight. When I read Jane Eyre for the first time in high school, I admit I couldn’t really deal with this. And in a way it still gets to me: why did he have to lose his arm and his sight? But I understand it better now, I understand the message. It might not be my worldview. I do not share it a 100%. But I do respect it for what it means to Jane Eyre, as a character. And that is such an important part of the story.

There is one more thing. In the preface to Jane Eyre, Charlotte Brontë defends her portrayal of a person who tries to commit bigamy, she defends her novel against those who feel that such works will always be sinful. If only for this, I feel for Charlotte Brontë, and respect her. I think I haven’t read something written in the 19th century before, by a woman, that is so forceful, so clear in its intentions, so much an opinion, on such a big topic as religion.

Conventionality is not morality. Self-righteousness is not religion. To attack the first is not to assail the last. To pluck the mask from the face of the Pharisee, is not to lift an impious hand to the Crown of Thorns.

These things and deeds are diametrically opposed: they are as distinct as is vice from virtue. Men too often confound them: they should not be confounded: appearance should not be mistaken for truth; narrow human doctrines, that only tend to elate and magnify a few, should not be substituted for the world-redeeming creed of Christ. There is – I repeat it – a difference; and it is a good, and not a bad action to mark broadly and clearly the line of separation between them.

There must be books written about the Brontës ideas on religion, right? If not, please, someone, write that book. I, for one, would love to read it.